3 wheeled dog stroller Pet Gear Sage No-Zip Special Edition 3 Wheel Pet Stroller PG8250NZ – Care  About My Pet
SKU: 8551362476
3 wheeled dog stroller

3 wheeled dog stroller Pet Gear Sage No-Zip Special Edition 3 Wheel Pet Stroller PG8250NZ – Care About My Pet

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Description

3 wheeled dog stroller Pet Gear Sage No-Zip Special Edition 3 Wheel Pet Stroller PG8250NZ – Care About My PetSafely take your pet with you while protecting them wherever you go, whether it be on a long walk through the park, a walk around the block, or maybe even shopping at the mall! Introducing The PetGear Special Edition NO ZIP stroller. No zippers means no hassle when trying to open and close the stroller. Our new NO ZIP technology means that you can easily gain access to your pet without fumbling with difficult zippers! The PetGear Special Edition NO

Safely take your pet with you while protecting them wherever you go, whether it be on a long walk through the park, a walk around the block, or maybe even shopping at the mall!

Introducing The PetGear Special Edition NO-ZIP stroller. No zippers means no hassle when trying to open and close the stroller. Our new NO-ZIP technology means that you can easily gain access to your pet without fumbling with difficult zippers! The PetGear Special Edition NO-ZIP stroller also features an elevated paw rest. Your pet can easily look out of the stroller by using the front bar for support. The new panoramic view window allows your pet to remain safe inside of the stroller without missing any sights while you stroll! New, lustrous material, featuring the Pet Gear monogram, ensures that your pet will be riding in style anywhere you go. Interior dimensions: 25.5"L x 12"W x 20.5"H.

 Comes In 3 Colors ( Chocolate, Orchid and Sage)

******Your purchase includes FREE SHIPPING*, a 1 year manufacturer’s warranty on PARTS AND CRAFTSMANSHIP and is protected with a 30- Day 100% NO RISK Money Back Guarantee

(We ship to all the lower 47 states excluding Alaska, Hawaii, and Puerto Rico. International shipping is not available at this time)


Product Features:

Easy-locking, no-zip entry
Elevated paw rest
Easy one-hand folding mechanism
Panoramic views
Top window
Water-resistant material
Parent tray organizer for: keys, water, accessories
Large storage basket
Rear safety breaks
Front shock absorbers
Front locking wheel
Reversible fleece pad for dog’s comfort
Interior collar tether for safety

 

Product Dimensions:

Stroller weight: 14 lbs
Interior dimensions: 26" L x 12" W x 19.5" H
Stroller height to handle: 40"
Weight capacity: 45 lbs

 

Why use a pet stroller?
Pet strollers are used for a variety of reasons. They help avoid stress on your pet's body if they are having trouble walking due to joint pain, arthritis, or recent surgery. Strollers also function as a crate on wheels. Wherever you go, your pet, whether it be a dog, cat, furry (or not so furry) friend, will be able to keep you company while remaining safely contained inside the stroller.

What is No-Zip?
No-Zip is one of the most innovative feature in pet strollers today. All strollers with the No-Zip feature have an easy-locking latch instead of a zippered closure. No zippers means no hassle, when trying to open and close the stroller. No-Zip technology allows you to easily gain access to your pet without fumbling with zippers.

Do I need Air Ride?
If you plan on jogging with your pet, taking your pet on long walks or to locations with rough terrain, the type of wheels on the stroller is a key factor to consider. The recommended tire type for any of the previously mentioned activities is Air Ride. Air Ride tires add extra comfort for your pet and provide an effortless stroll. With Air Ride you will also be able to lock the front wheel. This aids in stabilizing the stroller when jogging or traveling over rough terrain.

How do I select the best fit?
Please refer to the Interior Dimensions / Pet Cabin Size when selecting your stroller. If you are wondering if your pet(s) will fit in a certain stroller, a good visual guide (especially if you intend to use the stroller for more than one pet) is to take a towel and fold it to the same interior dimensions (length and width) as the stroller. Then, place your pet(s) on the towel to make sure they will fit within the space comfortably. You should also measure the height of your pet when sitting to make sure they are at least 4 inch less than the interior height dimension listed for extra comfort.

 SELECT HOW MANY YOU WANT AND CLICK ADD TO CART

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 8551362476

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Amanda Becker
Battle Creek, US
★★★★★ 5
Best wrap mask!
Color: Lifting (Jericho Rose)
Just the best wrap mask!! A lot of peptides that make my skin soft and moisturizing. Very effective in only 20min use!
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Reviewed in the United States on May 20, 2026
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Amanda Boyd
Carnegie, US
★★★★★ 5
Great face mask
Color: Lifting (Jericho Rose)
Love this mask. I have really sensitive skin and this mask doesn't irritate my skin at all. It absorbs nicely and leaves my skin feeling moisturized and glowing. Great value for the price!
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Reviewed in the United States on April 21, 2026
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Tammy Marshall
West Palm Beach, US
★★★★★ 3
Full Moisturization of the face is lacking
Color: Lifting (Jericho Rose)
I would give it a 5 based on the appearance after the mask is removed your skin is glassy but the moisture level is lacking. It leaves behind an oily residue and my face didn’t feel hydrated. The search continues.
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Reviewed in the United States on March 25, 2026
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John P. Jones III
Cuba, US
★★★★★ 5
“The fragments of a life”…
A formidable movie, in the stricter sense of the word. In a looser sense, it has helped shape the way that I’ve seen the world, ‘lo these past six decades. I saw this movie when it first came out, in 1963, at one of my favorite art theaters in Pittsburgh. Like most of us at the time, we’d only viewed rather straightforward movies of “good and evil,” Westerners, and the like. Predictable endings. The director of “8 ½,” Federico Fellini, offered something radically different, a foreshadowing of the stream-of-consciousness technique in literature, how the fragments of one’s life get all jumbled up in the brain. And he provided some takeaways that have long been with me. I was 16 at the time and took a date who was 15. In re-watching it now, if I thought it somewhat baffling at 16, I wonder what my date thought about the portrayal of the women in the movie, who are “fragments” in the life of the movie director, Guido Anselmi, excellently played by Marcello Mastroianni. There is his wife, Luisa, wonderfully played by Anouk Aimée, who was the motive force behind the re-watching of it now. There is the “virginal” Claudia Cardinale, usually in white (I had not realized that she was originally Tunisian). Sandra Milo plays Guido’s flighty bimbo of a mistress. And so many others: The airline stewardess; the caring mom who wraps the infant Guido in a blanket; the first stripper; the insightful and nagging friend of his wife… “Upstairs when you are 40.” That was one of the big takeaways. Anselmi is having this male fantasy about his “harem,” all those fragmented women who are there to serve him and do so in complete harmony when he realizes that the “stripper” is now 40 and must go upstairs, the metaphor for being placed on the “discard pile” for being too old. He gets out his bull whip even, to drive her up the stairs. Even at 16, when 40 is more than twice your life away, it did seem a bit harsh, particularly when the same rule does not apply to the guy with the bull whip. It was also my first viewing of the prototype of those pompous pedantic critics of movies or literature who toss around expressions like “impoverished poetic imagination,” “overabundant symbols,” and, of course, “self-indulgent.” I was in parochial high school at the time, so the scenes in which the priests were chasing down the young student Guido in order to shame and humiliate him because he found sexual imagery to be of interest, imagine that, strongly resonated. It was also the era that the Catholic Church published “The Index of Forbidden Books,” (which now seems to have been taken over by the woke crowd of today), and thus the scene in which Anselmi has to pay homage to the Cardinal also resonated. Anouk Aimée is absolutely mesmerizing. She has been a “fragment” of my own life, ever since I viewed “A Man and a Woman” in the ’60’s. Again, she played opposite the equally formidable Jean-Louis Trintignant, of “Z,” “Three Colors, Red,” and so much else, fame. Far more relevantly, the two of them recently played in “The Best Years of Our Lives,” again directed by Claude Lelouch. Aimée is now a young 90. In her role as Anselmi’s wife, Luisa, she wore those glasses that connotated a greater thoughtfulness than him. I searched that ever-so-youthful face watching for the subtle expressions of later movies. It struck to the core. Luisa is utterly fed up with Guido’s philandering and constant lies. And Guido is suffering from “director’s block” in trying to finish his movie, with what sort of message? Luisa fires off THE classic line that I have long remembered: “But what can you say to strangers when you can’t tell the truth to the one closest to you…”. The only problem is that I’ve felt that line was said in Ingmar Bergman’s “Scenes from a Marriage.” And maybe that line was ALSO said in Bergman’s movie, which means one more movie I need to watch to find out. As I said earlier, things can tend to get jumbled up in the brain, even more so as one ages. Fellini would understand, maybe Aimée would also. 5-stars, plus for Fellini’s classic, formidable film.
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Reviewed in the United States on March 14, 2023
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Stephen McLeod
Massapequa, US
★★★★★ 5
One of the greatest in SPECTACULAR DVD package
This new Criterion Collection edition of *8 1/2* is one of the best DVD "special edition" sets I've come across. The Movie: Fellini's breakthrough film is a movie about itself. It is archetypal in the Fellini canon because it both settles old scores and announces a new cinema. The film's hero is an Italian filmaker (Mastroianni as "Guido" a quasi-alter ego for the director) who has just had his first major hit (=La Dolce Vita). He is not resting on his laurels, however. He is confronted with the necessity of the next movie. This necessity is both personal to the director and apparently contractual: the producer is forever hovering... To Guido, it is an inner necessity, an unrest, a creative suffocation, objectified in the opening sequence of the movie where Guido is seen/not seen by the camera, trapped inside a tiny car that is itself trapped in a traffic jam that stretches endlessly beyond available light as the car fills with toxic gas. We see the as yet unidentified hero in silhouette from behind. We see his hands and feet from outside the car, through the window as he desparately tries to escape. Then, he mysteriously escapes through the car's roof like a new bird escaping its shell and is carried off into the clouds, etc. The trouble is, this is a wish fulfillment dream. In "real" life, Guido is about to make a movie, and he has no idea what it's going to be about, or what to do with all the actors and extras, and the giant launching pad for some kind of space-ship that is the only thing even close to a concrete idea for the projected picture. The film is not, however, a perfect autobiographical fit. For one thing, Fellini gets to finish his movie and Guido, evidently, does not. But, that said, the movie is a virtual mirror of itself, which was a very hard thing to pull off in 1962, before the concept of "virtual" was annexed by the codifiers of computer jargon, and *8 1/2* is nothing if not a virtuoso performance. Fellini's breakthrough is the film we watch. But in the film, the hero finds the resolution to his anguish, not in finding the project - that is, in making what would have been the film-about-itself within the film-about-itself within the film-about-itself that we are, finally, watching - but in letting go of the project, in surrendering to the impossibility of finding it or making it. Precisely *on the other side of his own fantasy-suicide*, at the moment when he apparently gives in to despair, he discovers the circle of life and becomes able to join into the procession of lives into which his own life is finally intertwined. So, this is an essential film. And it is a film so rich in texture that a person could watch the movie a hundred times and find new things to wonder at, and discover new connections between the One and the Many - Fellini's personal/existential problem. The DVD: First disc contains a sparkling transfer of the movie that restores a luster to the angular lights and shadows in Fellini's final black & white movie. Audio commentary by a couple of scholars and Fellini's former close accomplice Gideon Bachman. Second disc contains Fellini's famous "Director's Notebook" of 1968(-9), an hour-long movie that was originally made for television, as well as another documentary about composer Nino Rota, and various interviews, including one with the ever-fiesty Lina Wertmueller who was Fellini's Asst. Director on *8 1/2*. The package also comes with a really interesting little booklet with lots of information and a thoughtful mini-essay. Overall a great package that I'll not regret buying.
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Reviewed in the United States on January 5, 2002

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